The 2013 Grammy Awards

This time last year, I decided to start my blog up again by writing my thoughts on the 2012 Grammy Awards. You can find that post here. I did a pretty good job of keeping up with this blog after that for quite some time, but I’ve waned over the past few months. The 2013 Grammys are on tonight, and I aim to start this blog again the same way I did last year.

I’ve been enjoying the popular music of 2012 over the course of the year. I’ve been listening to the radio much more often that I have in the past, I’ll surf the radio and stop on anything catchy. I’ve found myself enjoying the occasional Katy Perry, or Carly Rae Jepsen, or sometimes Rhianna. I skip the diamond song and anything by Taylor Swift and the rap and R&B stations. Most else is fair game. There are plenty of nominations tonight that I wholeheartedly agree with. Mumford and Sons, Fun., The Lumineers, Maroon 5, The Black Keys, and Adele all hopefully have good things happening for them this evening. Without further ado, let the games begin!

And, we’re off with a bang, Taylor Swift is serenading us with those vocal chords that don’t deserve fame and recognition. I hope some day people might understand her un-talent.

“He looks like an old grandma.” -my brother on Elton John. 

To be completely honest, Ed Sheeran’s “A Team” is one of the songs I tend to skip on the radio. I’m not sure I’ve ever heard it all the way through until tonight. He seems like a nice guy, at the least. I’m not sure it’s working too well as a duet.

And Adele wins, naturally, in the one category she’s nominated in this year. Well done, lady, for winning Best Pop Solo Performance for a live version of “Set Fire To The Rain.”  Completely deserved!

I’ve never seen Fun. play live. Nate Ruess is having a few pitch difficulties, poor guy. “Carry On” does seem to be the best song choice, however, for a live performance. “Some Nights” and “We Are Young” have so many tight harmonies that perhaps it would not have gone well, given how this one is going.

Miguel – who is this guy? I’m not so much into R&B, please don’t mind my ignorance. He has quite the wonderful voice.

So happy to see Carrie Underwood winning an award. Best Country Solo Performance is well deserved. I do wonder how many more years she’ll be able to call herself “country,” her songs are starting to feel like crossovers.

We Are Young! Fun.! Song of the Year! They beat Kelly Clarkson AND Call Me Maybe!

Mumford and Sons! I’ve seen these guys live three times and I can attest to their live performance talent. I love how their song lyrics are thoughtful and well-written. They have only gotten better as they’ve become more well-known. Read this past post for a long write up on my love of Mumford and Sons, from when I saw them perform in Monterey.

Kudos to Justin Timberlake for going from “Bye Bye Bye” to so much more. I don’t like him, but I don’t hate him. His music bores me though. However, if I were asked to be a part of that strings section, I’d do it in a heartbeat. I thoroughly miss performing and of those musicians look like they are having a GREAT time!

I think I’ve come across a Frank Ocean song once or twice. He seems like a decent guy. As long as Chris Brown goes home with zero awards, I’m happy. Behavior like his does not deserve awards.

Best Rock Performance- The Black Keys, “Lonely Boy.” Makes me a bit sad that Mumford lost out on it, but they’ve more to come I believe. The Black Keys are quality musicians who deserve any recognition they get.

I think I’ve finally been caught by Adam Levine’s spell (Jeremy, you’re the only one for me though, I know that for sure!) I’ve been a fan of Maroon 5 for many years, “Songs About Jane” was all I listened to the year it came out. Their new music has been consistently well done and catchy (a must for me these days); I may have to actually purchase his most recent CD. I did already tell Jeremy that “Moves Like Jagger” is a must for our wedding reception. Levine and Alicia Keys are putting on an amazing performance, the best one of the night so far, that’s for sure.

Best Pop Vocal Album is filled with some great nominees. I’m fairly surprised Kelly Clarkson won, particularly against Maroon 5 (given my obvious love for them). 

Rhianna’s starting off her performance extremely strong, she may convert me yet. That diamond song is SO annoying, but this ballad is out of this world beautiful. She has obvious talent. She looks beautiful, too. A slow, quiet song as an understated performance, not making a big spectacle- THIS is what I love about music. Showcasing REAL talent. She is BRINGING it!

Carly Rae Jepsen and my sister Emili look remarkably similar. That is all.

Kelly Clarkson is singing the Tennessee Waltz, this makes my heart so happy. I grew up playing this melody on my violin with Dad. I never actually heard the recorded version of the song until years later; this melody will forever be with me. What a beautiful voice Miss Clarkson has. Another spot on, incredibly beautiful performance.

Ah, the Zac Brown Band. What fun music they play! Well done, Best Country Album!

Bruno Mars! I have been looking forward to seeing him perform again since his performance at last year’s Grammys. I had no idea who he was last year, and now if I hear “Locked Out of Heaven” on my way to or from work, it’s definitely a good day. I love the Police-esque vibe, how fitting Sting is up on stage right next to him! This song sounds just as good live as it does mastered. As for the next song- who doesn’t love Bob Marley? This performance is definitely meeting my year-long expectations.

SO glad The Lumineers are being showcased tonight. They were nowhere to be found a year ago, and sure, I’ve known of “Ho Hey” for much longer than radio listeners have, but does it really matter? It’s clearly a great, catchy song, and it makes me so happy to see small folk bands get good recognition. (Perhaps it’s because I would love to someday be in one of those unknown folk bands that gain enough recognition to perform at something as large as the Grammys. I’ll just take it one step at a time …)

Jack White is putting on a nice performance, I was unaware that this folky sound is his current endeavor. I’ll have to look into his newer stuff to see if it’s as enjoyable as this. Anything with a violin is fair game in my book. Sure, there he goes with his more “interesting” stuff, but it’s still well done for the genre (whatever it is) and a good, solid performance. I enjoy music best when the music is showcased, rather than making such a spectacle of the performance that the quality of the music takes a backseat.

And Best New Artist goes to … (Katy Perry put on some clothes!) … Fun.!!! I just put two and two together and realized that Lena Dunham is the girl they keep showing with Jack Antonoff of Fun. To get this point across to my mom, all I had to do was mention “the girl at the Golden Globes with all the tattoos who couldn’t walk in her heels.” I’m happy for Fun. for getting this award, they’ve all been playing music for so long (Steel Train, The Format, Anathallo), it’s great that they’re getting some solid recognition for the years they’ve put in to the industry.

Carrie Underwood- how does one go about getting into the string sections of these epic performances? And those butterflies! That performance was a great example of putting on a show and still focusing on quality music.

Oh, Gotye! Record of the Year! Anyone who says they don’t like “Somebody That I Used To Know” is just being pretentious. How precious are Gotye and Kimbra up there on stage.  Truly thankful for being recognized, truly happy to be doing what they are doing. (And anyone who beats Taylor Swift is good with me.)

And the performance I really have been waiting for all night … “The Weight,” written by Robbie Robertson of The Band. What a great compilation of musicians on stage- Sir Elton John, Mumford and Sons, Mavis Staples, T Bone Burnett, Zac Brown, and others- what a great song, and a great tribute to Levon Helm (of The Band) and all the other music industry persons who have passed this year. I LOVE this song, my first introduction to it was actually through a cover done by John Denver. I’ve heard The Band’s songs live by Glen Hansard and Mumford and Sons. Mr. Helm has clearly left a mark on the music industry for many of the greats, and it will hopefully remain for years to come.

Mumford and Sons win album of the year! Bonnie Raitt approves … did anyone else see that head nod? These guys deserve it. See aforementioned blog posts about them if you need anymore convincing on why I love them so much.

I’m headed to bed in a minute, the Grammys are so much easier to watch when living on the west coast, next year I won’t have to stay up until 11:30 to see everything. It’s pretty amazing that I agree with mostly all of the awards that I saw given out tonight. Credit has been given where credit was due, and Taylor Swift won nothing. What a great night!

Let me know your thoughts on this year’s Grammys. Where did they go wrong? Where did they go right? Who do I need to find an appreciation for? Thanks for reading!

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Music Monday- Mumford & Sons in Monterey

Gentlemen of the Road- Monterey Stopover

Saturday was a wonderful day spent in Monterey, where Mumford & Sons put on their sixth of seven world-wide music festivals. It was my first time up in Monterey and I thoroughly enjoyed being in that little touristy beachy town; I will save those details for another post.

This was apparently an “intimate evening,” kept “small” so that everyone could really enjoy themselves. Well, “small” meant a sold-out 10,000 capacity for the Monterey Fairgrounds. Might I also add that it was sold out within one week of the show being announced? These guys are big.

Small and intimate, just the way I like things. (Hah. Despite the crowd, I managed to thoroughly enjoy myself.) This picture was actually taken during Gogol Bordello, the band right before Mumford and Sons took the stage. As you may imagine, the venue just got more full once Mumford began playing.

This is the third time I have seen Mumford & Sons live. The first time I saw them was at the Theatre of the Living Arts in Philadelphia in May 2010. It was one of their earlier shows in the United States, they were still newer to the music scene here. The TLA’s capacity is a mere 1000, compared to the 10,000 fans Mumford serenaded on Friday. I count myself lucky to have been at that first performance, just as they were starting to become known. There was a magic about that one that can only be found as a band is first reaching stardom. The four of them were so enthralled by the crowd’s excitement that they were getting emotional about it at times. They were still working out kinks and learning things that you can only learn after performing live many, many times. It wasn’t the best presented show, but the music was spot on.

The music was still spot on during their performance on Saturday night.

After a long day of openers on two stages who included Slow Club, Haim, Apache Relay, Two Gallants, Grouplove, Gogol Bordello, and The Very Best (who actually ended the festival after Mumford & Sons), Mumford took the main stage at 8:50pm. One of the (many) wonderful things about this festival is that every show started on time. Gogol Bordello even started a few minutes early. I have a feeling many follow up Music Mondays will include reviews of Slow Club, Apache Relay, and Gogol Boredello. I’d heard of the first and the last before, but Apache Relay was new to me- and as they are from Nashville and have that sort of vibe, I thoroughly enjoyed them as well.

Mumford opened with a song from their yet to be released new album Babel (September 24th you can’t come soon enough!)- Lovers’ Eyes. They immediately followed with the crowd pleaser that is Little Lion Man (language in the chorus). This was Mumford & Son’s debut song from their first album, “Sigh No More,” in 2009. It was nominated for the 2011 Best Rock Song Grammy (though it lost out to Neil Young’s “Angry World.”) It hit prime positions on music charts in 10 different countries, including #1 for US Alternative Songs.

Throughout the show they played a wonderful mix of old and new songs and did it all with the vibrancy and tenacity that I’ve come to see in them time and time again. They also could not have closed out the set any better. After initially ending with Dust Bowl Dance (from their first album), they walked off the stage and then came back for the obligatory encore. Opening the encore with Winter Winds got the crowd going wild (again). And then came the best song of the night (sure, I’m biased)- The Cave. What a wonderful, beautiful song. It has long been my favorite from “Sigh No More.” They closed out the night by bringing all of the day’s musicians onto the stage to play The Weight by The Band. There was no better song to end this epic show with. No. Better. Song. As Levon Helm of The Band passed away in April of this year, I’ve been hearing his music more and more in the circle of artists that I enjoy. Some of you may remember my loving rant posts about seeing Glen Hansard in June. He ended his show with two songs by The Band, in honor of Levon Helm. This is a perfect song for a collaboration of artists, and Mumford & company  played it beautifully on Saturday night.

during the second half of Lovers’ Eyes

One characteristic that draws me to Mumford & Sons is their authenticity. They are really doing this because they love it. They write music and perform it for the fans out of sheer enjoyment. They seem to have no ulterior motives. Let me put it this way- I actually left for 10 minutes or so during one of the other bands, I just walked around and explored the fairgrounds (and, yes, took advantage of smaller lines for the bathrooms). That is not something I do. Music is to be enjoyed. But I left during one of the bands because I was frustrated with their stage presence. The content of their songs and their chatter between them had an air of assumed authority. Sure they were enjoying playing their music, but they (to me) also seemed to be enjoying (to a fault) the fact that all eyes were on them. And that it somehow made them better than the rest of us.

For all the talent and fame that Mumford & Sons has, they exude no air of assumed authority. They never appear to believe that they are better than anyone they are playing their music for. They are playing it to share it. That is what should be done. That is one of the many reasons I follow this band.

Were you there in Monterey also? Let me know your thoughts! If you are reading this and have not listened to Mumford & Sons before, I’d love to know your initial reaction to their music- here is the official audio for their new single “I Will Wait,” which will be found on their album “Babel” to be released on September 24th. Enjoy!